By Jay A. Fernandez, Special to The Times
October 10, 2007
Well, DreamWorks and Paramount are finally moving forward with their inevitable "Transformers" sequel, and they've done it by putting an enormous down payment on a unique, blockbuster screenwriting crew. In a deal that could ultimately pay out more than $8 million, the studios have hired Ehren Kruger ("The Ring," "Scream 3") to write the film's screenplay with original "Transformers" scribes Alex Kurtzman and Roberto Orci, whose four credited films have produced $1.4 billion in worldwide box office.
DreamWorks' willingness to agree to a combined team of A-listers, especially at such lofty rates, speaks to the studio's faith in the writers' ability to deliver (it also, one insider notes, effectively discourages the studio from spending more money to hire someone to rewrite their work).
Producer Lorenzo Di Bonaventura and DreamWorks executives had been inviting writers to propose takes on the sequel as early as May, two months before the first film's Independence Day opening. The studio has been looking at the "Transformers" property as an extended saga, with an expansive mythology built into at least two more films.
But Kurtzman and Orci have been jammed with high-profile writing and producing assignments ("Star Trek," "Eagle Eye") and originally passed on writing the sequel to avoid overextending themselves. With returning director Michael Bay looking to keep them involved and no killer pitches forthcoming, last month the studio finally persuaded them by suggesting they team with another writer (for the second film only; Bay has not committed to a third either.)
As producers, Kurtzman and Orci had hired Kruger to pen another DreamWorks project, "Nightlife," and apparently enjoyed the relationship enough to collaborate with him as writers. (Kruger had recently adapted Stephen King's "The Talisman" for Steven Spielberg, a "Transformers" executive producer.)
Even with the added partner, the logistics should prove complicated. The new "Star Trek," which Kurtzman and Orci are producing and writing for Paramount, and "Eagle Eye," which they're producing for DreamWorks, start shooting on the same day next month. And "Fringe," the sci-fi series Kurtzman and Orci sold to Fox TV last week, starts shooting by year's end.
So Kurtzman and Orci will somehow be writing their part of the "Transformers" script while bouncing around three sets. (At least "Fringe" is co-written and co-executive-produced by "Trek" director J.J. Abrams, so lunch breaks on the "Trek" set should prove productive.)
No deadline has been set for the screenplay, though the film does have a release date: June 26, 2009. So the hiring of several writers was less about trying to complete a script before the potential Writers Guild walkout on Nov. 1 than about having access to numerous voices to address the inevitable changes as this behemoth progresses through its years-long development and production process.
Just the same, the three writers are already pooling their ideas to nail down the detailed story line while Bay has begun pulling together some digital pre-visualization robot designs that didn't make it into the first film. An added benefit lost on no one is that with a CGI-heavy film like this, the preliminary work provides an effective cushion if the writers (or directors and actors next summer) do strike -- effects crews can work ahead and compile action sequences during any stoppage.
Source: LATimes
October 10, 2007
Well, DreamWorks and Paramount are finally moving forward with their inevitable "Transformers" sequel, and they've done it by putting an enormous down payment on a unique, blockbuster screenwriting crew. In a deal that could ultimately pay out more than $8 million, the studios have hired Ehren Kruger ("The Ring," "Scream 3") to write the film's screenplay with original "Transformers" scribes Alex Kurtzman and Roberto Orci, whose four credited films have produced $1.4 billion in worldwide box office.
DreamWorks' willingness to agree to a combined team of A-listers, especially at such lofty rates, speaks to the studio's faith in the writers' ability to deliver (it also, one insider notes, effectively discourages the studio from spending more money to hire someone to rewrite their work).
Producer Lorenzo Di Bonaventura and DreamWorks executives had been inviting writers to propose takes on the sequel as early as May, two months before the first film's Independence Day opening. The studio has been looking at the "Transformers" property as an extended saga, with an expansive mythology built into at least two more films.
But Kurtzman and Orci have been jammed with high-profile writing and producing assignments ("Star Trek," "Eagle Eye") and originally passed on writing the sequel to avoid overextending themselves. With returning director Michael Bay looking to keep them involved and no killer pitches forthcoming, last month the studio finally persuaded them by suggesting they team with another writer (for the second film only; Bay has not committed to a third either.)
As producers, Kurtzman and Orci had hired Kruger to pen another DreamWorks project, "Nightlife," and apparently enjoyed the relationship enough to collaborate with him as writers. (Kruger had recently adapted Stephen King's "The Talisman" for Steven Spielberg, a "Transformers" executive producer.)
Even with the added partner, the logistics should prove complicated. The new "Star Trek," which Kurtzman and Orci are producing and writing for Paramount, and "Eagle Eye," which they're producing for DreamWorks, start shooting on the same day next month. And "Fringe," the sci-fi series Kurtzman and Orci sold to Fox TV last week, starts shooting by year's end.
So Kurtzman and Orci will somehow be writing their part of the "Transformers" script while bouncing around three sets. (At least "Fringe" is co-written and co-executive-produced by "Trek" director J.J. Abrams, so lunch breaks on the "Trek" set should prove productive.)
No deadline has been set for the screenplay, though the film does have a release date: June 26, 2009. So the hiring of several writers was less about trying to complete a script before the potential Writers Guild walkout on Nov. 1 than about having access to numerous voices to address the inevitable changes as this behemoth progresses through its years-long development and production process.
Just the same, the three writers are already pooling their ideas to nail down the detailed story line while Bay has begun pulling together some digital pre-visualization robot designs that didn't make it into the first film. An added benefit lost on no one is that with a CGI-heavy film like this, the preliminary work provides an effective cushion if the writers (or directors and actors next summer) do strike -- effects crews can work ahead and compile action sequences during any stoppage.
Source: LATimes
Credit: Nelson admin of MichaelBay.com
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